Tag Archives: Fiction

Transformers, Sex and Why Science Fiction is Socially Relevant

 

The Role of Science Fiction in Literature

I’ve been reading science fiction since I was very young.  I honestly don’t even remember the first sci-fi book I read.  I do remember the first one that made a huge impact on me.  It was a short story by Ray Bradbury called All Summer in a Day.  After that I couldn’t get enough.  Somewhere along the way I read I, Robot and Do Androids Dream of Electric Sheep by Phillip K. Dick and realized that science fiction wasn’t just great stories.  It was a commentary on our society and our place in that society.  The Snow Queen by Joan D. Vinge further cemented this in my mind.  Then I read Ender’s Game by Orson Scott Card.  My whole perception of myself and my world view changed with that one book.  It was profound thing for a young preteen to realize that other people, other beings, even those vastly different could have the same emotions.  They might not be expressed the same way or be overtly recognizable as such but they were there if you kept an open mind.

In the years since, I have read much science fiction.  Some of it was just fun others of it required a more cerebral approach. I also expanded my reading selection to include literary novels, mysteries and non fiction.  I discovered something.

Science fiction is our modern day fairy tale.

Its the morality story, the cautionary tale.  It serves as both entertainment, enlightenment and instruction.  It takes a social problem, stigma or perception and shines the light of truth on it in a way that is not always obvious.  Now this is not true of all science fiction.  Not every novel can be The Handmaid’s Tale (Margaret Atwood) or Flowers for Algernon (Daniel Keyes).

Transformers, Sex and Intimacy

I was recently introduced to the IDW Publishing line of Transformer’s comics.  Among them was the title More Than Meets The Eye, written by James Roberts.  At first I was put off, nearly incensed by the story line, but I set aside my prejudices and allowed myself to be caught up in the story.  I would have deprived myself of so much, had I not.

The way Roberts writes these characters is fantastic.  As good as any of the sci-fi novel’s I’ve mentioned.  The stories are in turn funny and poignant and at times down right sad.  The issue that came out yesterday encapsulated all of that.

Issue #13 brought up some interesting discussions among fans about gender roles, sexuality and what makes a character identify ‘male’ or ‘female’ when their species has no gender bias.  The interpersonal relationships have been expanded upon in ways that I had only ever seen in fan fiction.  He treats these giant non-organic lifeforms as if they are actually people and not just giant weaponized automatons.

MTMTE #12

It is these relationships that intrigue me.  Much is implied, and in issue #12 it was even stated that they have a relationship status called conjunx endura that is sealed by a ceremony involving the two ‘bots in question.  Yet they are an alien race.  They do not have genders or a need for genders of any kind.  What they do have is a basic need for intimacy as any intelligent life does.  Intimacy does not have to equal sex.  Being intimate can be as simple as holding hands or as complex as taking care of someone with a chronic illness.  Both require trust, commitment and love.

MTMTE #12

This point was eloquently stated in the latest post by DorkDaddy.com entitled:  It’s Just Sex, Dammit!

“There are a thousand things necessary for a successful day and a successful life. Balancing the checkbook. Reading to the kids. Visiting your parents. Maintenance on the house. Laughing. Resting. Playing. Growing. Learning. These are the things of life. These are the things that determine whether we are fulfilled, whether we are successful in life. None of them require intercourse. And yet still we venerate sex as the ultimate goal in life, as if everything else is just a way of occupying time between sexual interludes. We high-five our friends when they “got lucky” or “got some” or “got some action” as if to say “Well done. You got that taken care of. Now you can move on to all the other stuff.”

Granted, there is no better way to foster intimacy with your partner than sex. It connects you and makes you vulnerable and draws you together with another person like no other way can. But when considering intimacy, it isn’t even necessary for that (blasphemy, I know). Imagine the potency of your partner gently running her fingers through your hair, or down your back. Picture those moments when you’re lost, looking into your partner’s eyes, and neither of you has to say anything. Think for a moment on the lasting rewards of gently holding hands, or on the way you can totally lose yourself in a deep, committed kiss. These too are the things of intimacy. Because of them, even if you never knew sex, surely you could still know intimacy.”

This is what I find so fascinating about this comic and the way Mr. Roberts has written these characters.  They are realistic, deeply thought out and interesting.  I care about them.  I relate to their struggles, their insecurities, their quirks in ways I have never related to ‘human’ characters.  They allow us to explore relationship dynamics without the added pressure of sex.  There is no sex for the sake of intimacy.  The intimacy comes from other means but is no less potent.

The Wordsmiths Forge on Livejournal lists multiple ways of displaying non-sexual intimacy.  Among the things she lists are personal care, spacial closeness including sharing the same sleeping space.  Living arrangements which include a measure of trust involved such as sharing passwords, bank accounts and/or living quarters and cleaning someone else’s room.  She also talks about urgent situations up to and including risking  your life or making medical decisions for someone.

Each of these things have been featured in the comic.

Comradewodka on Tumblr had some interesting things to say about the ‘married’ couple in the comic:

” . . . Chromedome and Rewind. I’m not sure what I could say about them that hasn’t been said, so— let me just say this. Any sentient race, regardless of whether they’re mechanical or actually capable of anything sexual or not, is going to feel emotions and form relationships, even to the point that they feel romantically about someone. Even to the point that they want to spend the rest of their lives with that someone. Every sentient race, if they find something pleasurable in life—even if that something is as innocent (and non-sexual by our standards) as fond, platonic or romantic touches—is going to seek out that pleasurable something with others. It’s biology.

Chromedome and Rewind aren’t “male”. They don’t have genders. They’re not unusual in considering each other “spouses” either, if everyone else’s reactions are any indication. But to a whole heck of a lot of people, they LOOK “gay”—and sometimes it’s almost easier for us humans to refer to them that way—so them being canonically in a romantic relationship isn’t just a big step for a franchise in which we’ve generally been given a grand zipola about how relationships work, it’s a big step for comics and media in general. One more pebble on the pile of change.

That being said, though I and many others really freaking appreciate Chromedome and Rewind for a number of reasons, I don’t think Roberts had some big overt gay rights agenda when writing them. Which brings me back to my main point— that he’s just THAT good at writing them as what they are—fully fleshed out characters that just happen to be giant gender-less robots. So they happen to look kind of masculine by human standards? Roberts don’t care. Roberts don’t give a fuck. He just write what he wants.”

-(http://comradewodka.tumblr.com/post/42373291213/did-someone-ask-for-a-big-post-gushing-over-gender)

 

Are all Robots Male?

She made a good point.  Just because something ‘looks’ male in our perception does that mean it is male?  Some fans had their worlds turned upside down by the appearance of holomatter forms of the Transformers.  It was stated that these new forms were an exact representation of the robot’s psyche.  So in other words, the human forms the program assigned them was based on their personality.  Not all of them identified as male or even adult.  Tailgate was an infant being carried around in a backpack by Swerve.

Comradewodka on Tumblr made some excellent observations on this subject as well:

“Yeah, most of them have features we associate with masculinity, and that’s fine and dandy, but they actually do not fall into any kind of gendered roles in their culture.

So why the hell CAN’T big warriors like Ultra Magnus or Whirl relate or identify, psychologically speaking, with representation as a human female—just so long as that human female still accurately represents who they are as a character?

Answer: there’s absolutely no reason why they couldn’t. They’re a blank slate, gender-wise. They can have the biggest most “masculine” bodies ever, be called “he”, have what I assume to be masculine voices and features, and still feel like a human female body is a more accurate representation of their psyche.”

Assigning gender roles to gender-less species is like saying pink is feminine.  Pink is pink it has no gender.   A hundred years ago women would never wear pink.  Men did.  Pink is a color that societal norms have shifted into a different perception.  The terms male and female  differentiate sexual reproduction roles.  They do not apply to colors any more than they apply to a species that does not reproduce sexually.

The fact that giant robots might see themselves as better represented by a human female form should say a lot.  I will leave that topic for my next post.

This is why I love science fiction so much.  It allows us to explore themes that would be and are taboo in other forms of writing and it does so in a way that is digest able for the larger audience.  It illuminates aspects of society that might otherwise go unnoticed and in doing so educates us about being human.  Yes, we can learn from giant alien robots how to be more human.

 

Writing. For real.

I love to read.  Almost as much as I like to write.  I read everything that comes within eyesight. This is not always a good thing, but meh, can’t help it.

As someone who loves to read, I read a lot of fan fiction.  Don’t judge me.  I’m impatient.

Over the last couple of months I’ve been putting together a writer’s conference just for fan fiction writers.  I knew fanficcers where considered fringe writers at best and social pariahs at worst.  I was not prepared for the amount of vitrol directed at these amatuer writers.  They are not just social outcasts of the writing world, they are viewed as the demon hellspawn of the internet by many a pro-writer and avid reader alike.

And along came Fifty Shades of Grey, the oh-so-famous porn version of Twilight-er no wait, that version is an ‘original’ work.  Now fan fiction is in the public eye like never before and the debate continues.  Is it legal?  No.  Is it fun?  Often.  Is it terribly written?  Mostly.  Should authors sue and demand their works be banned from fanfic.net?  Their call.  George R. R. Martin of Game of Thrones fame wrote in his Not A Blog on Livejournal about his views on the phenomenon.  You can read his post here:  http://grrm.livejournal.com/151914.html

The issue has been debated to death and will rise as a zombie issue to be debated over and over.  I’m not here to debate the legality or the ethics of fan fiction.  Others have and much more eloquently than I ever could.

For the record, I never planned on writing fan fiction.  I don’t like messing with someone else’s characters.  My characters are as dear and real to me as my flesh and blood children.  So I completely understand other author’s stance on fan fiction.  Have I written fan fiction?  Yes.  I am currently writing an Avengers peice all from Loki‘s pov.  Why?  For one Loki is fascintating to me.  (In case you hadn’t read any of my other posts, I adore the manipulative bastard.)  He’s very hard for me to write.  He’s a huge challenge, which I relish.  He’s an incredibly complex character with an rich back story and that’s just Marvel’s version.

But, I digress.

I’m of the opinion that young writers need somewhere to start.  They need mentors, someone who will offer them sound advice and helpful critiques.  They get this, and more, by writing and posting their fan fiction to the various sites available for it.  Of course this means there is a ton and I mean a ton, of horrible writing out there to sift through.  Yet, often these amateurs feel they are not  ‘creative’ enough to spawn their own universe and characters, so they decide to use someone elses.  Or they find a certain character in  fandom that they identify so closely with that they just have to write about them.  Or there are the ones who insist they can do better than the original creator.  And then you have the people who only care about writing por-er smut about their favorite pairing.

Writing is writing is writing.  Whatever you want to call it.  Fan fiction.  Dirivitive works.  Copyright infringement.

The point is, these young writers want to write and do so with a verbosity and passion that I’m sure a lot of us more experienced writers wish we could muster at times.  They love their characters just as fiercely as we love ours.  Yet, I know deep down the majority of them want to be original they just don’t know how.  I cite the plethora of original characters (OCs) in any fandom as proof of that.

Of course it has been pointed out that one of the major failings of fanfic, legality aside, is the quality.  We are all learning the hard way that digital publishing has it’s downside-quality control.  This is something that any regular to fanfic.net or other fanfic site could have told you years ago.  The number of barely readable works far outnumbers the truly well written ones.  Trying to find a well written fic in a fandom can be worse than trying to find a normie at ComicCon.  They are there, but they can be hard to spot.

Cathy Young speaks about this in her post at reason.com.  (http://reason.com/archives/2007/01/30/the-fan-fiction-phenomena)  “The good news about the Internet is that, in a world without gatekeepers, anyone can get published. The bad news, of course, is the same. Much fanfic is hosted on sites such as fanfiction.net, where authors can get their work online in minutes—which means that professional-quality stories coexist with barely literate fluff, and reader reviews will sometimes congratulate an author on good grammar and spelling. Even sites that prescreen fanfic and encourage authors to use beta readers and a spell checker tend to be quite lax with quality control, and only a few fan fiction archives are genuinely selective.”

This is only more true today five years later and not only about fan fiction.  So with the new public eye on fan fiction what’s a writer to do?  Where can the amatuer turn to for advice and education on the craft when all they’ve ever written is fan fiction?  Some are too intimidated to even admit to their writing addiction.  Others would never take a writing class because they don’t consider themselves ‘real’ writers.

The sites on writing that welcome or even encourage fan fiction writers are few and far between outside of fanfic.net forums.  FanFic101.com is the preeminent site for writers of the genre offering writing advice and encouragement specifically for fan fiction writers.  That’s why I decided to have a writer’s conference just for fan fiction writers. (fansoffiction.com) These authors write out of love, as we all do.  Love for the character, love of writing, love of recognition and acclaim for our works.   When it comes right down to it, the amateur and the so-called professional aren’t so different.  We both love to write and should be more interested in helping each other learn the craft.

We are all writers after all.